Sunday, May 17, 2026

Canvas of Life


I am holding a paintbrush,

trying to pour colour into a life
that has forgotten how to glow.

Standing before a canvas so wide
that I cannot see where it begins
or where it ends,
I realize I have been painting for years
without ever understanding
what picture I was trying to create.

One careful stroke at a time,
one trembling line across empty space,
another shade pressed into forgotten corners,
another quiet attempt
to convince myself that broken things
can still become beautiful.

I dip the brush again.

Blue dissolves into black.
Red bleeds into grey.
Colours collide without permission,
running into places they were never meant to go.

Some drip downward
like tears falling from tired eyes.
Some spread across the surface violently,
as if they are trying to escape the frame itself.
Others simply disappear,
swallowed by darker colours
before anyone notices they were there at all.

I keep painting anyway.

Because somewhere between desperation and hope,
I convinced myself
that if I just tried harder,
if I added one more colour,
one more line,
one more piece of myself,

Everything would finally make sense.

I thought maybe life worked like puzzles.
Maybe every missing piece
was waiting patiently somewhere,
and all I had to do
was keep searching.

But no one ever tells you
that some pieces disappear.

Some are lost forever.

Some arrive broken.

And some fit perfectly,
only to leave empty spaces behind
when they decide not to stay.

And then I stop.

I step back from the canvas.

I stare at it in silence,
trying to discover art hidden somewhere in the mess I created,
trying to find poetry between crooked lines
and purpose inside accidental stains.

But the lines are not parallel.

They do not meet.

They wander away from one another
like strangers pretending
they were never meant to belong together.

The shadows are too dark.
The light never reaches the places I wanted it to.
Nothing looks the way I imagined.

I search for meaning
the same way people search for stars
in polluted skies
hoping something beautiful still exists
behind all the noise.

Then I realize something.

Sometimes,

Some things are beautiful exactly the way they arrive.

A blank white canvas
untouched by doubt.

A brand-new car
before roads leave dust in its veins.

A heart yet to discover heartbreak.

A smile
that has not yet learned how to disguise pain.

Morning sunlight entering an empty room.

Fresh footprints in untouched snow.

A song before memories attach themselves to it.

Hands before they learn
what it feels like to let go.

Perhaps perfection only exists
before our hands begin interfering.

Maybe I am the problem.

Maybe in my endless need to repair everything
every fading light,
every sinking ship,
every wounded soul.

I forgot to notice
that I, too,
was slowly falling apart.

Maybe while trying to save everyone else from drowning,
I never realized
the water had already reached my lungs.

Maybe I became so busy
holding broken pieces of other people together
that I forgot my own hands were bleeding.

Funny how pain works.

You become so familiar with carrying it
that eventually
you stop noticing the weight.

You learn to walk with chains
until they begin to feel like skin.

Then suddenly,
everything breaks open.

Years of silence collapse all at once.

Words I swallowed.
Tears I buried.
Memories I locked away behind doors
I promised never to open again.

And the avalanche finally arrives.

Not with noise.

Not with violence.

But quietly.

The way winter arrives at night
and steals the warmth from everything by morning.

The way dust slowly settles on forgotten photographs.

The way oceans quietly erode mountains
without anyone noticing.

Some destructions do not scream.

Some arrive softly,
sit beside you,
and slowly teach your heart
how to become heavy.

Now I am no longer holding the brush.

Now I sit in the passenger seat,
watching someone else paint on my canvas.

And strangely,
I do not seem to care anymore.

Let them take the keys.
Let them steer

Because from the passenger side, it looks so easy. 

Their hands do not shake. 

Their strokes move with a clinical certainty,
as if they can hear a melody
I spent years searching for. 

They create constellations where I saw only emptiness,
they force harmony onto my chaos,
painting a life that looks beautiful to everyone else
while I sit quietly in the corner,
wondering how it is possible to feel like a ghost inside your own masterpiece. 

I watch how easily they choose colours. 

How naturally they fake the beauty.

How confidently they move through uncertainty.

And I wonder

Was I holding the brush wrong all along?

Or was I simply trying to paint sunlight during storms?

I glance down at my hands.

There is dried paint beneath my fingernails,
colours from battles
I do not even remember fighting anymore.

Tiny scars rest on my fingers,
silent reminders
of wars nobody knew I was in.

Proof that I kept trying.

Proof that I kept holding together things
that were already falling apart.

Proof that somewhere along the way
I mistook survival
for living.

Then I return to silence.

But silence is never empty.

Silence is crowded.

It carries every scream that was swallowed,
every goodbye left unfinished,
every feeling that arrived too heavy
to ever become words.

Silence remembers everything.

Even things we desperately try to forget.

Especially those things.

The quiet ones are often the people
who once felt too much,
until one day,
they felt nothing at all.
And I am no different.

I carry a heart that feels eighty years old
inside a body still pretending otherwise.

A tired heart.

One with exhausted walls
and old scars hidden beneath every beat.

Do not be deceived by this foolish smile.
some smiles are paintings too.
painted carefully across tired faces,
created to convince the world
that everything is still standing
even when entire cities inside us
have already collapsed.

My heart left the conversation a long time ago.
It returned only for attendance,
arriving every morning with mechanical loyalty,
beating because it had to,
not because it wanted to.
And yet somehow,
sadness remained behind.

Funny how sadness always knows where home is.

There are different layers to every person.
The layers we proudly display.
The layers we polish beneath bright lights
for others to admire.
The layers we speak about loudly.
And then there are the hidden ones.

The abandoned rooms.

The locked doors.

The pieces of ourselves
we pray no one ever discovers.

Mine feel like endless hallways now.

Rooms covered with dust.

Windows that have not seen sunlight in years.

Echoes of old laughter
still bouncing off walls
long after everyone has left.

And I am afraid mine have grown too thick.

Too heavy.

They wrap around my heart
like chains disguised as protection,
holding me down,
pulling me backward
every time I try to move forward.

Teaching me how to sink
while convincing me I am standing still.

Maybe I did not begin with the softest brush.

Maybe my colours were never the brightest.

Maybe my hands shook too much.

Maybe I was never meant to become a great painter.

But I tried.

God knows I tried.

I stood before this canvas of life
with hopeful eyes and trembling hands.

I painted with everything I had.
With love.
With fear.
With hope.
With heartbreak.
With dreams too heavy to carry.
With expectations I could never reach.

With pieces of myself
I can never take back.

And what I had at the end
was not beautiful in the way I imagined.

It was chaotic.

Wild.

Messy.

Full of unfinished corners and accidental storms.

But maybe we all carry similar canvases.

Each of us walking through life
holding different brushes,
different colours,
different scars hidden beneath our sleeves.

Maybe we spend too much time
trying to paint inside the lines,
never realizing that storms
were never meant to stay inside frames.

Maybe everyone is just pretending
to understand what they are doing.
Maybe everyone is staring at their own mess,
calling it failure,
while someone else looks at it
and calls it art.

Maybe mine was never the most beautiful.

Maybe people would look at it
and only see confusion.

But I would see every sleepless night,
every battle survived,
every silent war fought alone.

I would see every version of myself
that died quietly
so another version could keep moving forward.

I would see fingerprints in the corners,
evidence that I never stopped trying to hold things together.

Because it was mine.

Every stain.
Every crack.
Every ruined line.
Every colour I spilled while my hands were shaking.

Mine.

And maybe life was never about creating a masterpiece.

Maybe it was never about perfection.

Maybe it was never about painting something
people would stop and admire.

Maybe it was only about having the courage
to keep painting,

even when your hands tremble,

even when colours betray you,

even when storms ruin entire sections of your sky,

even when you are convinced
you have already destroyed everything.

Because perhaps one day,
many years from now,
I will stand before my canvas one final time,
look at all the chaos,
all the mistakes,
all the uneven lines and shattered colours,

And finally smile.

Not because it became beautiful.

But because despite everything,

I never put the brush down.

Saturday, February 21, 2026

Hollow


I awaken

not because I have rested,
but because punishment requires consciousness.

Sleep is a temporary exile.
Morning is the sentence.

I return to myself unwillingly,
dragged upward through layers of stale dreams
into a room that feels like an abandoned cathedral
hollow, echoing, dust suspended in pale light
like the ashes of something that once burned.

Guilt greets me first.
It is punctual.
Fear follows closely behind,
never missing its cue.

The thoughts I once tried to silence
have grown disciplined.
They line up neatly,
waiting to be reviewed
evidence in a trial where I am both defendant and judge.

Life has not merely turned grey.
It has curdled.

Color exists somewhere, I assume,
but it refuses to attach itself to me.
The sky bleeds without warmth.
The air tastes metallic.
Even memory feels drained,
like photographs left too long in the sun.

Every day loops
a corridor of identical doors,
each one opening to the same narrow room
with the same unmade bed
and the same version of me
staring back from the mirror
with less definition than the day before.

No joy.
No anticipation.
No love that does not rot under scrutiny.

Here is my sin:

I prefer the ache I recognize.

Pain, when familiar,
is manageable.
Predictable.
It does not surprise me.
It does not abandon me.

To reach for something brighter
would require hope
and hope has teeth.
It bites harder than despair
when it withdraws.

So I remain here,
in the well-mapped geography of sorrow,
tracing the same emotional fault lines
until they deepen into canyons.

But age is merciless.
It forces reflection like a mirror held too close.

I begin to ask questions
I cannot outrun:

What if I had taken the other turn?
The riskier one.
The one that trembled with possibility
instead of certainty’s suffocation?

Who would I be?
Would I recognize myself?
Would that version of me
walk lighter
or would he be equally broken,
just in a different language?

The thought constricts around my throat
like wire.
Not a dramatic rope
just thin, quiet pressure
tightening gradually
until breath becomes negotiation.

Words fail me.
They scatter like insects when exposed to light.
Language was never built
to contain the shape of this emptiness.

I stand at the edge of something unnamed.
It looks like insanity from afar,
but up close
it feels more like clarity.

I have been waiting
for rescue,
for revelation,
for some external force
to interrupt the monotony of my unraveling.

I cling to hope
like a drowning man clings to driftwood,
refusing to notice
it is waterlogged.

We betray ourselves gently.
Not in violence,
but in repetition.

In choosing the known wound
over the uncertain cure.

I wanted to feel okay.
That was the ambition.

Not extraordinary.
Not radiant.
Just… tolerable.

I studied others
their laughter,
their spontaneity,
the effortless way they occupied space
without apologizing for it.

I learned to imitate.
I curated responses.
Adjusted tones.
Softened edges.

And eventually,
I became convincing.

So convincing, in fact,
that even I believed it.

But imitation is erosion.

Each borrowed gesture
filed away something original.

Each performance
left residue.

Now I stand
with a face assembled from fragments
not quite false,
not quite real.

I cannot release who I was.
I cannot embrace who I’ve become.
I exist in between
a poorly stitched compromise.

Every path feels incorrect.
Every detour folds back into itself.
The maze stretches endlessly
fear forming the walls,
regret the floor,
guilt the ceiling pressing lower each year.

I run.
I search.
I exhaust myself.

No shortcuts.
No hidden exits.

Just the growing suspicion
that escape was never designed
for me.

And then,
in the thickest hour of night,
when silence hums louder than thought,
the realization arrives

There is no maze.

There never was.

No walls.
No architect.
No cruel design.

Only me.

I built the corridors
out of hesitation.
Laid the bricks
with postponed decisions.
Mortared them
with fear of being wrong.

The tourniquet?
My hands.

The grey sky?
My eyelids half-closed.

The exit?
Visible the entire time.

But here is the darker truth

I knew.

Somewhere beneath the rehearsed despair,
beneath the comfortable suffering,
I knew I could leave.

I simply chose not to.

Because staying
requires less courage
than living.

And so the twist is not that I am trapped
but that I am loyal
to the trap.

Morning comes again.

I awaken.

And this time,
I do not blame the maze.

I tighten the wire gently around my own throat,
call it routine,
call it realism,
call it fate

And step back into the corridor
I constructed
with deliberate hands.

Canvas of Life

I am holding a paintbrush, trying to pour colour into a life that has forgotten how to glow. Standing before a canvas so wide that I cannot ...